Combining Greek mythology, fairy tales, and an alternate present, Carrie Vaughn remakes the world into something magical and frightening. Evie comes home to her dying father, and discovers that she will inherit far more than just the house. She also gets the basement storeroom, and all the magic it contains. Learn more about this author here: http://bit.ly/9qKbeW Learn more about this book here: http://bit.ly/aGePIk Urban Fantasy
Purina ONE today opened the first ever Cat Café in America, bringing the feline phenomenon already popular in Europe and Asia to the states. At the Cat Café by Purina ONE, visitors can enjoy a “cat’achino” while spending time with and learning about cats and the Purina ONE 28 Day Challenge.
To view the Multimedia News Release, go to http://www.multivu.com/mnr/7156351-purina-one-cat-cafe-carrie-ann-inaba
Verse 1
It was two weeks after the day she turned 18
all dressed in white, going to the church that night
She had his box of letters in the passenger seat,
six pence in her shoe
something borrowed something blue
and when the church doors opened up wide she put her veil down trying to hide the tears oh
she just couldn’t believe it
she heard the trumpets from the military band and the flowers fell out of her hands
Chorus
Baby, why’d you leave me, why’d you have to go
I was counting on forever, now I’ll never know
I cant even breathe
It’s like I’m, looking from a distance, standing in the background
Everybody’s saying, he’s not coming home now,
This can’t be happening to me
This is just a dream
Verse 2
The preacher man said let us bow our heads and pray
lord please lift his soul and heal this hurt
then the congregation all stood up and sang the saddest song that she ever heard
then they handed her a folded up flag and
she held on to all she had left of him oh and what could’ve been
and then guns rang one last shot and it felt like a bullet in her heart
Chorus
Baby, why’d you leave me, why’d you have to go
I was counting on forever, now I’ll never know
I can’t even breathe
It’s like I’m, looking from a distance, standing in the background
Everybody’s saying, he’s not coming home now,
This can’t be happening to me
This is just a dream
Baby, why’d you leave me, why’d you have to go
I was counting on forever, now I’ll never know
Ohh i’ll never know
It’s like I’m, looking from a distance, standing in the background
Everybody’s saying, he’s not coming home now,
This can’t be happening to me
This is just a dream
Oh this is just a dream
just a dream, ya [fading out]
The Annenberg Space for Photography is offering additional programming to enrich the BEAUTY CULTURE exhibit including digital films, which expand on the themes of the exhibit; the BEAUTY CULTURE Digital Salon, where guests can experiment with virtual makeovers; and the IRIS Nights lecture series, presenting top fashion, beauty and pop culture photographers and editors.
BEAUTY CULTURE is a photographic exploration of how feminine beauty is defined, challenged and revered in modern society. The exhibit features works from iconic photographers such as Albert Watson, Bert Stern, Herb Ritts, Man Ray, Jean-Paul Goude, ORLAN, Guy Bourdin, Horst, Melvin Sokolsky, Ellen von Unwerth, Lillian Bassman, Matthew Rolston, Philippe Halsman, Lauren Greenfield, Susan Anderson, Tyen and Carrie May Weems. BEAUTY CULTURE encourages a social dialogue about the allure and mystique of the pursuit of female beauty, as well as the cult-like glorification and multi-billion dollar industries that surround it.
To view Multimedia News Release, go to http://multivu.prnewswire.com/mnr/annenberg/50353/
